Gradually word of them has spread, however, and the first book-length study of Ibn Daniyal in English appeared in 2012, also with a translation of one of his three plays. Gradually Western scholars are coming to realize that this hitherto almost unknown dramatist created some of the most complex and literate dramatic works of the middle ages, rivaling or surpassing almost every known dramatic work in the Arab or Western world for several centuries before or after him.
Ibn Daniyal was actually a native of Mosul, in today’s Iraq, who fled to Cairo in the 1260s when still in his teens, to escape the Mongol invasion of his home city.
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His poetic gift, however, became more and more widely recognized.
In the manner of young impecunious poets throughout the ages, Ibn Daniyal sought a degree of financial security by producing poems, often panegyrics, for influential and well-to-do-sponsors.
At the top of the social pyramid was the Sultan, and just at the time In Daniyal arrived in Cairo, the Sultanate was undergoing a momentous shift.
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The powerful warrior Baybars, who in 1254 defeated and captured King Louis IX of France, ending the fourth Crusade, and, even more importantly, defeated in the following year the Mongol general Hugelu, ending the Mongol advance into the middle east, married the widow Queen of Egypt and established a new, non-Arab dynasty, the Mamluks, that dominated Egypt for the next several centuries.